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Designed
by C. David Robinson Archiects, the outside of the building
is quite subdued - even plain looking.
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Please
note: Pictures are only allowed in the main foyer and
in the outside courtyard. Our thanks to C. David Robinson
Architects for allowing us to reproduce some of their
pictures. Photographers Richard Barnes and Ira Nowinski
are credited next to their photos.
Also
-- the Santa Rosa Press Democrat has a very well done
map of
the museum on their website.
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Once
inside, the theme of the entire interior design is introduced
-- polished light woods, dark stone floors, glass and stainless
steel accents, and off-white walls. Beautiful materials,
sure, but also pretty serious. Looks more Joe Corporate
than Joe Cool.
Admission
- Adults $8.00 -- Youths $5.00
The
museum shop [below left] is in the main foyer, and has a
small assortment of merchandise -- most of which features
their sort-of-fun-but-maybe-playing-it-a-bit-safe logo.
[right below]
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Imagine
if the designer had used the famous Charlie Brown shirt
zigzag motif for the logo. Slam dunk!
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In the
big main room, [below] the wood and stone theme is continued,
with the large mosaic sculpture of Charlie Brown and Lucy
taking center stage. This room is accented with bright red
pillow-like seating -- more for design sake than actual
use, and as a result it feels very austere and remote.
According
to their website, the architects chose materials based on
Schulz' Minnesota roots, and wanted to add the 'quiet humor
and strong community evident in the comic strip' along with
the 'comfortable ambiance of a residence.' None of that
really comes across here.
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The
mosaic, created by Yoshiteru Otani, is made up of a series
of actual size comic strips, which were transferred onto
thousands of ceramic tiles. A closer view below, and you
can start to see the individual comic strips.
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As for
the displays, the original Peanuts comic strips are drawn
in black ink on white paper -- and they are relatively small
- maybe 6" high by 18" long. Displayed on white
walls, and intentionally dimly lit to save wear and tear,
visitors find themselves huddling around each display and
almost squinting. As we walked through the various rooms,
visitors became very quiet and subdued. Downright serious.
And in a museum devoted to Charlie Brown, this is not necessarily
a good thing.
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One display
let us in on a bit of the creative process. Apparently to generate
ideas for the strip, Schulz would scribble punch lines, sketches
and notes on a yellow legal pad. At the end of each day, his secretary
would fish out the crumbled pages from the trash can, take them
home, flatten them out with an iron, and save them in a folder.
Those ironed yellow pages are exhibited here next to the final
comic strip. Very cool to be able to get a glimpse of the 'inside.'
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